In June, I went to Shanghai to see his private exibition.
In this exhibition, there are more than ten design works of Ishiguro, including familiar works such as Kait workshop in Kanagawa, works that have been heard for a long time but have always been mysterious, such as valley Church in Rizhao, Shandong Province, and strange new projects such as forest kindergarten, Mosco Technology Museum, etc. People like me who have always been paying attention to the pure nature of stone have also won many surprises in the exhibition. We can imagine that the exhibition has a great impact on people who don’t know much about the stone at ordinary times. Each project has a series of large-scale models and paintings, which is very expressive and hard work. It’s interesting to think about the controversy over the use of free interns in the Serpentine Gallery Project in London: at one end of the impact, there are gorgeous and rich models and paintings with extreme expressiveness; at the other end, there are free labors who work six days a week and more than 12 hours a day without pay and visa.
And in September, I was surprised that I saw the real buliding in Hyde park.
Freely as in relaxing more, being our natural selevs.
The kind of freedom that allows us to conceive of so many more kinds of architecture, allowing us to make diverse chioces naturally and comfortably. Identiflying the right structure for the location, flexibly, anbound by architectural conventions, each time seriously, yet simply.
Yetta 